Dallas Woodburn is the 22-year-old author of two collections of short stories and a forthcoming novel: The Identity Theft of Dani Dickinson. She has written more than 80 articles for national publications including Family Circle, Writer's Digest, CO-ED, Justine, and The Los Angeles Times, and she writes a regular column for Listen magazine. Dallas got her start when she published her first book, There's a Huge Pimple on My Nose, in 5th grade.
"I applied for and received a $50 grant from my elementary school to write, publish, and sell a collection of my short stories and poems.," she says. "I proposed using the profits to repay my grant so the school could offer an extra one the following year. My first printing, done at a Kinko's copy shop, was modest: 25 staple-bound 40-page books. Actually, they were more like thick pamphlets, but no matter—to me, they were the most beautiful books I had ever laid eyes upon."Pimple sold out in a couple of days and, after four 25-batch reprints at Kinko's, she searched out a publishing company and ordered a few hundred glossy-covered, glue-bound copies.
"Pimple is proof that with a lot of hard work, a lot of perseverance—and, yes, a lot of support, too—a small idea can snowball into something bigger than you ever dreamed. ... Pimple has sold more than 2,200 copies and I repaid two school grants. I have since published a second collection of stories, 3 a.m., and I recently signed with a literary agent to represent my first novel."
Where do your ideas come from?
Many of my ideas stem from my everyday life. One of my favorite things about being a writer is that even your most embarrassing moments in life are worth something because they are great writing material! My first article was for Justine magazine, at that time a newly established publication for teens, and it was a true-life account about how I was "sweet 16‚" and had never been kissed. The editors loved my honest voice and the piece resonated with a lot of readers. I have always tried to see my young age as an advantage in my writing, rather than a disadvantage, because it allows me to write about things like teen issues with a great deal of authenticity. As a teen writing for a teen publication, I wrote an article that I would want to read. I would encourage other writers to put themselves in this mindset—what insights and lessons does your particular background and experiences give you? How can you use these traits as an advantage in your writing life?
What is your creative process?
My fiction usually begins with a character. I am incredibly interested in people, and my favorite fiction is "character-driven." Usually my characters start with a kernel of a personal experience or emotion that I am going through, and then pretty quickly this spins away from me and becomes a character separate from myself. Even if the eventual story is going to be written in third person, I usually like to write at least a couple pages in first person from the character's perspective to get a sense of his or her voice. I don't censor myself during this process—I just let the words flow freely and see what voice develops for the character.
How does article writing differ from short story writing? Are there certain processes you use for both types of writing?
I try to write every single day—I am most productive and happy when I have an established routine. Even if I don't feel like writing, I tell myself to write for just 15 or 20 minutes, and usually by the end of that time I am in the groove and write for longer. My goal is to write 1,000 words every day. I am a night owl, so it is not unusual to find me at my computer writing after midnight, when the world is quiet and I am alone with my thoughts.
With fiction writing, I enjoy the discovery of the process—I usually only have a vague idea of where the story is going, and let the story unspool organically. With article writing, I have already conducted my research and interviews and gathered quotes before I even sit down to write the article, so the act of writing is more of a piecing together of material and organizing what I have into a compelling story. Once the first draft is done, editing is an important process as well, but my fiction generally goes through a much more involved and lengthy editing process than my articles do. With my novel, for example, the entire point of view changed from the first draft to the second draft. With article writing, editing is equally important, but the first draft tends to be much closer to the final draft because it is more organized and polished from the beginning.
Tell me about your novel ...
It is entitled The Identity Theft of Dani Dickinson and is a young adult novel with some mystery, suspense, and a twist ending. I wanted to explore the gray area between truth and fiction, and the way writers tend to put bits of themselves into their writing. Through Dani's journal writing you can see something is not right in her life and world, but she's unwilling to talk about it directly. You find out more about her through the "fictional" stories she writes which are interspersed through the novel.
Additional advice for writers?
Rejection is something that ever author has to deal with. As a writer, I joke that I could wallpaper all four of my bedroom walls with all the rejection letters I have received from editors! The important thing is not to take it personally. For whatever reason, you or your writing just wasn't a right fit for that publication at this specific time. That doesn't mean that they won't love the next piece you send to them! When I get a rejection letter, I first read the comments to see if there is any advice I can glean or ways I can improve for next time. Then, I submit my story or essay or article somewhere else.
Read the entire interview with Dallas Woodburn at Write On! Online.